RETAINING THE OBJECT IN THE ABSENCE OF VISION: TRANSLATION AND RE-PRESENTATION IN THE WRITING OF ROBERT SMITHSON AND KENNETH GOLDSMITH
DIGITAL VIDEO,
DURATION: 25 MINUTES 15 SECONDS.
RETAINING THE OBJECT IN THE ABSENCE OF VISION [CITY II], 2021
GENERATIVE CONSTRAINT AND THE SITE OF LANGUAGE: LOCATING AN OBJECT THROUGH EMBODIED MUSICALITY IN THE ABSENCE OF VISION. A NAVIGATIONAL AID AS A FILM AS A PRESENTATION.
DIGITAL VIDEO,
DURATION: 10 MINUTES 37 SECONDS
RETAINING THE OBJECT IN THE ABSENCE OF VISION [CITY I]: TRIPS INTO TOWN, 2019-2020
TRIPS INTO TOWN, RECORDED ON 11th NOVEMBER 2019 AND THE 29TH OCTOBER 2020.
DIGITAL VIDEO
DURATION: 25 MINUTES, 37 SECONDS
RETAINING THE OBJECT IN THE ABSENCE OF VISION: RE-PRESENTATION 2, 2020
GENERATIVE CONSTRAINT AND THE SITE OF LANGUAGE: RETAINING THE OBJECT IN THE ABSENCE OF VISION: AN EXPLORATION OF ROBERT SMITHSON’S ‘INCIDENTS OF MIRROR-TRAVEL IN THE YUCATAN’, THROUGH TWO BLINDFOLDED EXPLORATIONS OF THE SAME PART OF THE SAME FOREST, POSSIBLY.
A PRESENTATION CONSISTING OF DIGITAL SLIDES, TEXT, AND FILM AND PHOTOGRAPHIC FRAGMENTS
DURATION: 16 MINUTES AND FOUR SECONDS
RETAINING THE OBJECT IN THE ABSENCE OF VISION – RE-PRESENTATION 1, 2020
GENERATIVE CONSTRAINT AND THE SITE OF LANGUAGE: RETAINING THE OBJECT IN THE ABSENCE OF VISION: A DIALOGUE BETWEEN GEORGE PEREC’S ‘LIFE A USER’S MANUAL’, AND A BLINDFOLDED EXPLORATION OF A FOREST.
A PRESENTATION CONSISTING OF DIGITAL SLIDES, TEXT, AND FILM AND PHOTOGRAPHIC FRAGMENTS
DURATION: 16 MINUTES AND 46 SECONDS
RETAINING THE OBJECT IN THE ABSENCE OF VISION [FOREST II], 2020
EF, SCENE 2, OPTIONS 1-5
DIGITAL VIDEO,
DURATION: 27 MINUTES 38 SECONDS
RETAINING THE OBJECT IN THE ABSENCE OF VISION [FOREST I], 2020
EF, SCENE 1, OPTIONS 1-5
DIGITAL VIDEO
DURATION: 24 MINUTES 17 SECONDS
Drawing Composition [tnorf=back], 2018
Drawing Compositions, 2017/2018
LUX for Garageland, 2017
Negative Pavilion, 2016
